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RENAISSANCE and REFORMATION

Page history last edited by mstapert05@... 5 mos ago

Mach&Leo[1].doc

First, open this word document, then use the reading passage below to finish part 1: 

 

The Prince, by Niccolo Machiavelli (Chapter XVII).

“And here comes in the question whether it is better to be loved rather than feared, or feared rather than loved. It might perhaps be answered that we should wish to be both; but since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved. For of men it may generally be affirmed, that they are thankless, fickle, false, studious to avoid danger, greedy of gain, devoted to you while you are able to confer benefits upon them, and ready, as I said before, while danger is distant, to shed their blood, and sacrifice their property, their lives, and their children for you; but in the hour of need they turn against you…

Moreover, men are less careful how they offend him who makes himself loved than him who makes himself feared. For love is held by the tie of obligation, which, because men are a sorry breed, is broken on every whisper of private interest; but fear is bound by the apprehension of punishment which never relaxes its grasp.

Nevertheless a Prince should inspire fear in such a fashion that if he do not win love he may escape hate. For a man may very well be feared and yet not hated, and this will be the case so long as he does not meddle with the property or with the women of his citizens and subjects. ... Returning to the question of being loved or feared, I sum up by saying, that since his being loved depends upon his subjects, while his being feared depends upon himself, a wise Prince should build on what is his own, and not on what rests with others. Only, as I have said, he must do his utmost to escape hatred.”

 

IF YOU FINISH THE WORD DOCUMENT ABOVE, CHECK OUT THE SITE BELOW:

http://tinyurl.com/byg9j

→ Scroll down. Click “Enter a Monk’s Life.”

→ Investigate a monk’s life by clicking on a scene from one of the stained glass panels.

 

 

 

 

 

 

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